
http://www.monash.edu.au/news/show/space-travel-meets-art-in-reflective-exhibition
Click on the image or link above to read more on the exhibition and works.
Wonderland @ MOCA Taipei: 10 Feb - 8 April 2012.
DEBBIE SYMONS & JASMINE TARGETT











'A Glass Above'- Progress Leader - by Holly McKay, picture by Josie Hayden
**Meet the Artists**
You can meet both Debbie and Jasmine this Saturday at Craft Victoria's free artist talks. Do pop down if your in the area & have a chat, we would love to see you there!



Guy's talk encouraged a lively critical debate amongst audience members. We left feeling as though there was a real community of people who care tremendously about our arts, environment and future. Thank you to everyone who came and shared your ideas. We hope you will continue to be inspired in the days to come. It has resonated strongly with Debbie and Jasmine... they have even thought of a few new artworks to start researching!

One of the most rewarding parts of the symposium was the audience engagement and discourse following the panels opening addresses. Issued raised included “can art be political”, “Is art that concerns the environment a form of activisms”, “What is our Climate Change anthem? We have had numerous songs that discussed/ explore the Vietnam war and Feminism. Where are the anthems of Climate Change?”
We would sincerely like to thank all the members of the Symposium and Professor Linda Williams for donating their time for this important discussion. And thank everyone that attended. It was a inspiring and energetic evening.
Click the poster image to find out more information on the speakers and event.
We will try and upload some excerpts from the evening soon, so check back for more updates.
Check out the article to read about the research collaboration between the artist, a solar scientist and cell biologist that helped make this multimedia installation.
Professor Lesley Duxbury is currently the Deputy Head, Research and Innovation in the School of Art at RMIT University. She has been exhibiting for the past 25 years in Australia and internationally with solo exhibitions in Melbourne, Perth and Sydney and more than 50 selected group exhibitions in Australia including NGA and NGV, Korea, Austria and Hong Kong. She has been the recipient of the Australia Council VACB studio residency in Paris and completed a large public art commission for Edith Cowan University in Perth. Her work is held in all major public collections in Australia.
Lesley Duxbury is also an artist who uses Printmedia – images and text – to make work that addresses issues concerning the natural environment, in particular the atmosphere and its phenomena, which she explores through work that emulates and recreates our experiences and perception of it. The phenomenological experiences of extended walks in remote landscapes, during which Lesley takes photographs and makes extensive notes, are the impetus for her investigations. Recent walks in the Canadian Arctic and Iceland have invigorated Lesley’s concerns about the possible effects Climate Change.
Explosion (Peony) 2010, Duratrans C-Type photographic print on acrylic, lightbox, 1535 x 1895mmAfter graduating from Oxford University and the Royal College of Art with an MFA in Sculpture, Kit Wise received the Wingate Rome Scholarship in Fine Art in 1999, to study at the British School at Rome. In 2001 he received a Boise Travel Scholarship, administered by the Slade School of Fine Art, for subsequent research in New York & Australia. Since moving permanently to Australia in 2002, Wise has received three Australia Council grants in the categories of Presentation & Promotion (as curator), Skills Development (Tokyo Studio Residency) and New Work (Emerging).
Wise practices as an artist, art writer and curator. He has held 12 solo exhibitions in Australia and Italy, exhibited in group exhibitions in Australia, Taiwan, Korea, the UK, France, Germany, Italy, Spain and Holland, and has published numerous articles, reviews, book chapters and catalogue essays including texts for Australian and international art journals such as Frieze, Continuum: Journal of Media and Cultural Studies and unMagazine.
He is currently Associate Dean (Education) and a Senior Lecturer in Fine Art in the Faculty of Art & Design, Monash University, Australia; as well as the Bachelor of Fine Arts Honours Course Coordinator.
You can check out more on Kit here
Kit Wise, Artist & Associate Dean Teaching & Learning, Fine Arts Monash University will be opening the exhibition.
Melbourne based teacher, photographer and artist Harry Nankin investigates the contested meanings attributed to nature and landscape in modernity. Known for the eerily poetic rendering of simple, often cameraless, photographic processes on location, his work is best described as part land art, part performance and part photography. Harry Nankin has been the recipient of Arts Victoria and Australia Council grants and his work is included in the collections of the National Gallery of Victoria, the State Library of Victoria and the Monash Gallery of Art. Harry Nankin teaches at RMIT, LaTrobe and Deakin Universities and is currently undertaking a PhD at RMIT.
Scientist-
Professor David Karoly is Professor of Meteorology and an ARC Federation Fellow in the School of Earth Sciences. He is an expert in climate change science and was involved, through several different roles, in the preparation of the Fourth Assessment Report of the Intergovernmental Panel on Climate Change (IPCC) 2007. The IPCC was awarded the Nobel Peace Prize 2007, jointly with Al Gore, "for their efforts to build up and disseminate greater knowledge about man-made climate change, and to lay the foundations for the measures that are needed to counteract such change".
Ecocritical Theorist- Associate Professor Kate Rigby is an Associate Professor in Comparative Literature and Deputy Head of the School of English, Communications and Performance Studies at Monash University. She is a Fellow of the Australian Academy of the Humanities and of the Alexander von Humboldt Foundation. Her research ranges across German Studies, European philosophy, literature and religion, and culture and ecology. Among her many publications in these areas are Topographies of the Sacred (2004), an ecocritical study of European Romantic-era philosophies and aesthetics of nature and place, and (with Axel Goodbody) Ecocritical Theory: New European Approaches (2011). She is a founding co-editor of the ecological humanities journal, Philosophy Activism Nature, and was the founding President of the Australia-New Zealand Association for the Study of Literature, Environment and Culture and a founding member of the Australian Ecological Humanities research network.
Chair- Assoc Professor Linda Williams Associate Professor in Art, Environment and Cultural Studies and Program Coordinator of the Honours Program in the School of Art. She also leads the Art and Sustainability Research Cluster at RMIT. Along with her work as a widely published art critic, she has published in the field of the history of culture and science, philosophy and critical theory, and is an active member of the Globalization and Culture project in the Global Cities Research Institute at RMIT. She is also an international reader for the ARC.
ms was Director of Christine Abrahams Gallery in Melbourne for 22 years. He has been a Board member of the Melbourne Art Fair and the National Gallery of Victoria Art Foundation, and National President of the Australian Commercial Galleries Association. He is currently on the Board of the Australian Tapestry Workshop and the City of Melbourne's Art and Heritage Panel. Guy holds Law and Arts degrees, as well as a recently completed Master of Environment. In 2009 he was trained by former US Vice President Al Gore to give presentations on climate change. Guy is a Co-Founder of the not for profit organisation CLIMARTE: Arts for a Safe Climate, and a Director of the consultancy Art+Environment. Guy speaks regularly on the role of the arts sector in the climate debate.
With the opening for Making Sense at Craft Victoria just around the corner, we have been fanatically working on getting our works finished! Debbie is putting the final touches on her six drawings which explore the environmental changes occurring in Antarctica. The research undertaken has revealed startling information, as the works merge together numerous statistics and data bases to form an entire view of this unique continent. Debbie's practice is primarily concerned with the environment and endangered species. The works created for Making Sense focuses on the predicament of the species that breed and feed in the Southern Ocean.